Nandita Chaudhuri’s practice unfolds across painting, tapestry, digital video and installation, articulating a multidisciplinary language marked by permeability rather than fixed medium-specific concerns. Her engagement with material is neither illustrative nor hierarchical; instead, it functions as a conceptual framework through which intention, duration and belief are inscribed into form. The works often occupy a liminal space between the imagined and the realised, where anticipation and memory become structuring principles. This sustained oscillation produces a practice that is internally cohesive while remaining open to transformation.
Central to Chaudhuri’s work is a sustained inquiry into thresholds—between process and contemporary art discourse, the tactile and the virtual, and the subjective and the collective. Her labour-intensive textile works and time-based digital pieces are united by a shared attentiveness to human relationships as they unfold within technologically mediated and psychologically charged environments. The porous nature of her practice resists closure, positioning the artwork as a site of continuous negotiation rather than resolution, and inviting viewers into an extended temporal and conceptual engagement.